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The Spot Writers – “An Unlikely Love Story” – Chiara De Giorgi

Welcome to The Spot Writers. The prompt for this cycle is “someone falls in love at a museum.”

This week’s contribution comes from Chiara De Giorgi. Chiara is an Italian author and currently lives in Berlin, Germany. She writes fiction, with a focus on children’s literature and science fiction

“An Unlikely Love Story” by Chiara De Giorgi

Night had fallen on the soon-to-be-opened Grand Museum of Antiquities, and silence finally reigned in its halls. Porters had been coming and going all day, bringing in valuable relics.

Each artifact bore a label indicating which room it should be placed in; there were Egyptian Rooms, Chinese Rooms, Roman Rooms and so on. Some had no label at all and had been put in the storeroom, where only the lights from the emergency exit and the moonbeams filtering through the roof window split the darkness…

“Of course they would shove me into a storeroom again. Never once have I found someone smart enough to recognize me and give me the honors I deserve. Always tossed to and fro, without grace or care. And now here I am, forgotten and neglected, locked in a dark storage room next to a stinking mummy…”

“Ahem, excuse me… Are you talking about me?”

“Oh, great… The mummy talks! Aren’t you supposed to be dead?”

“And aren’t you supposed to be, like, a piece of stone?”

“Stone! Stone, it says! This is marble, if you must know.”

“I could have done without knowing it, to be honest. But okay. Marble! Yay!”

“Are you making fun of me, you cadaver wrapped in bandages under questionable hygienic conditions?”

“Look, if we are to entertain conversation, I’d rather you referred to me with my name. I am Akhethetep. I used to be a priest and I served the goddess Qebhet.”

“Really? That’s interesting… I am Ersa, a goddess too. Will you serve me?”

“Well… I don’t think that’s allowed. My goddess may get jealous if I do. Anyway, what kind of goddess are you?”

“I am the Greek goddess of dew.”

“…of what?”

“Do you have bandages in your ears, Aktepepet? I’m the goddess of dew! Dew! Tiny drops of water that can be seen on flowers and blades of grass in the early morning, when the first, pale rays of the sun come out to illuminate the world emerging from the darkness of the ni—”

“Yes, yes, I get it. And my name is Akhethetep, not Aktepepet.”

“Are you sure?”

“Quite, yes.”

“Oh, okay then. If you say so… By the way, what kind of goddess is your goddess?”

“Qebhet… She’s one of the afterlife divinities. The souls of the departed meet her while they’re awaiting judgment, and she offers them cool water.”

“A-ha. So she offered water to you, too? ‘Cause you are, you know… departed.”

“That, I am. And yes, I met her, and she offered me water.”

“Did you drink it?”

“As a matter of fact, I did.”

“Why didn’t you wash your bandages instead? Just asking.”

“I guess it didn’t occur to me.”

“I can tell… They look like a health hazard. Also, unwashed bandages tend to release a certain… aroma after seven thousand years, you know.”

“I suppose you are correct.”

“What is it that you have there?”

“You mean this thing? It’s a preserved white lotus, one of my favorite fruits.”

“And where did you get it?”

“Ah, it was buried with me after I died. But I am going to offer it to you if you wish to taste it.”

“As a matter of fact, I think I wish to. At least it’s an original distraction. There’s never anything interesting to do in a storeroom.”

“We can trade stories.”

“Trade stories with a mummy?”

“Yes… Why? Do you have previous engagements?”

“I… No, and I can’t reach your lotus. Why did you have to put it so far?”

“I have limited ambulatory capacity. My apologies, my Lady. The bandages that are wrapped around me hinder my movements. Don’t you have any objects you could use to extend your reach?”

“I have no objects, I was sculpted in all my naked glory and I don’t need anything, thank you very much! I am the goddess of dew, have you already forgotten?”

“I haven’t, but I fail to understand what that has to do with anything… I’m sorry to hear you’re stark naked, you must be cold. Would you like some of my bandages?”

“For goodness’ sake! I certainly don’t want to catch a disease!”

“I don’t think you would… I’ve been wrapped in these bandages for thousands of years and I never got sick. Not even once!”

“Listen, I think I wish to sleep now. Can you shut up?”

“Of course, goddess Ersa. Good night.”

“Good night.”

The sun rose and sent its rays through the roof window.

“Hekketep! Wake up”

“Yes, my Lady? And, once again, it’s Akhethetep.”

“That’s what I said. Aktepepep.”

“Akhethetep. Anyway. What can I do for you?”

“I’m bored.”

“Why don’t you go back to sleep? It’s still early.”

“Did you forget I’m the goddess of dew? I’m always up at first lights!”

“Oh, okay then. Let me tell you stories from when I was a young priest and a scribe and I lived in Egypt in its glorious times…”

One story after the other, Ersa was captivated by the exotic tales Akhethetep told her. She felt like she could see the golden sand of the desert, the lush green vegetation on the banks of the Nile, the impetuous waters of the river, the crocodiles, the camels, the exquisitely embroidered carpets…

Finally, it was dusk. Akhethetep sighed.

“That was my last story for today, my Lady. I hope you had a good time. And I hope I could ease your boredom.”

Ersa did not reply immediately.

“Are you sleeping?” the priest asked.

“No, I’m awake. Your stories were beautiful. Thank you.”

“It was a pleasure to entertain you.”

“Will you do that tomorrow, too?”

“If you wish, I will.”

“I wish! And… may I ask you something else, Akhethetep?”

The mummy laughed happily.

“My lady, you said my name right! You can ask me whatever you want.”

“Why are you so kind to me? I have been nothing but arrogant and rude since we first met.”

“Well, I suppose I am a kind person. My kindness does not depend on what others do or do not do.”

“Akhethetep?”

“Yes, my Lady?”

“I may be falling in love with you. Is that a problem?”

“Love is always a good thing, my Lady. Never a problem.”

“But will you also fall in love with me?”

“That would be nice, wouldn’t it? I suppose only time will tell. But I’m not going anywhere soon, and neither are you.”

“Akhethetep?”

“Yes, my Lady?”

“Can you smile under those bandages?”

“Hard to tell… but I can smile within myself. Can you do that?

“I am doing that right now, Akhethetep.”

*****

The Spot Writers—Our Members:

Val Muller: http://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com/

Chiara De Giorgi: https://chiaradegiorgi.blogspot.com/

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The Spot Writers – “A Surprising Encounter” by Phil Yeats

Welcome to The Spot Writers. The prompt for this cycle is “someone falls in love at a museum.” Phil Yeats wrote this week’s story.

In September, 2021, he published The Souring Seas, the first volume in a precautionary tale about the hazards of ignoring human-induced climate change. The second volume, Building Houses of Cards, appeared in May 2022. He’s now published They All Come Tumbling Down, the third volume in his The Road to Environmental Armageddon trilogy. For information about these books, or his older soft-boiled mysteries, visit his website: https://alankemisterauthor.wordpress.com/

***

“A Surprising Encounter” by Phil Yeats

The young man sat on a bench in the comics and graphic novels gallery of the Museum of Eclectic Contemporary Art. He was hunched over a large sketch pad on his knees and drawing furiously. Every minute or two, he’d look up at the page from a famous artist’s adult comic book that was projected on the gallery wall before returning to his sketching.

A young woman stood watching him from the only entry to the gallery. She approached him from behind and peered at his sketch. “Not here learning by copying a master’s work?” She said.

He responded by drawing a speech balloon above the second of three drawings across the top of the page. They were self-portraits of the artist at work in the museum gallery. The first drawing had him busily sketching with a female figure, obviously herself, standing in the doorway. The second had her standing right behind him.

She watched as he filled in the speech balloon. ‘Interested in his intense, colourful style, not the content of his story.’

The third drawing was unfinished, but he sketched in the second figure, now sitting on the bench beside him, as she did just that.

He moved down to the blank central part of the page he was working on and added two much larger head and shoulders portraits of the two of them staring at each other. He completed the portraits of the surprisingly recognizable pair of lovers in less than five minutes.

She stood and pointed toward the door. “I must see some of the other exhibits, but if you want, we could meet in the café by the lobby when the museum closes in about an hour.”

He held out a business card. It said in an elaborate script ‘Museum of Eclectic Contemporary Art’ and on the next line ‘Alberto Da Costa, Impresario’.

“My father,” he uttered after much stuttering and stammering. He turned over the card and pointed at himself before giving it to her. On it, he’d written a single word. ‘Julio’

“I’m Marie,” she replied. “See you in an hour.”

He’d returned to his sketching before she’d taken two steps.

Two hours later, Julio looked up and noticed the fading light entering the gallery from skylights in the ceiling. He’d added three more self-portraits with speech bubbles across the bottom of his first sheet, and on a second, a full-page portrait of Marie. He’d only studied her face for a few minutes, but he knew the detailed drawing had captured her essence perfectly. Julio sighed, thinking he’d never see her again, but it was for the best. Making conversation in the café would have been too painful.

He packed up his drawing equipment and closed his sketch pad and headed for the exit. In the lobby, he waved good night to Garcia, the night watchman, and approached the lefthand door, the only functional one at this hour.

Then he saw her, sitting in the almost empty café, with a pot of tea and a scone she hadn’t touched. He sat at her table and opened his sketchbook to the page he was working on when they met in the gallery. He pointed at the three drawings with speech bubbles at the bottom. The right-hand one said ‘I’m essentially non-verbal, avoiding conversation whenever I can’. The middle one said, ‘articulating words and sentences is too difficult, too frustrating, and everyone makes fun of my efforts’. The third one said, ‘so, you see, having tea can’t work out, but I appreciate you trying. Here’s a little something I made for you’.

When she looked up from the page, he handed her the portrait he’d drawn in the last hour. She smiled. “This is beautiful, and so accurate. You must let me buy you coffee or tea, whichever you prefer. You needn’t say anything, just sit there and draw, or listen to me natter. What will it be, coffee or tea?” He pointed at her teapot, and she jumped to her feet. “I’ll be back in a jiff.”

He wondered while he waited for her to return where this could be heading. She wasn’t a ravishing beauty, but pleasant looking, and obviously not an antisocial loner like him. So what was he doing making her a drawing that he really slaved over, trying to make it perfect? Any thoughts of an enduring friendship were bound to end in failure.

She returned with his tea and another scone and began nattering away about herself and never asking questions that would need a complicated answer. He managed without too much stuttering to make a few two- or three-word comments at pauses in her narrative.

They left the café and walked along a busy shopping street. When they approached a small Italian restaurant he was familiar with, he turned to her. “W-would y-you like to s-s-top here for d-dinner?”

*****

The Spot Writers—Our Members:

Val Muller: http://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com/

Chiara De Giorgi: https://chiaradegiorgi.blogspot.com/

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The Spot Writers – “Night at the Art Gallery”

Welcome to The Spot Writers. The prompt for this cycle is “someone falls in love at a museum.” (Does an art gallery qualify?)

Cathy’s writings are found in numerous print and online publications. She writes all genres but invariably veers toward the dark—so much so her late mother once asked, “Can’t you write anything happy?” (She can!)

Check out www.writingwicket.wordpress.com for further information on her works.

Melvin is still alive and well—as you can fathom from this next episode…

***

Night at the Art Gallery

“Melvin, we should go down to the Art Gallery tomorrow. I think it’s still free on the weekends.”

“Art? What do I know about art?”

Marie laughed. “Not much, Melvin. But perhaps that’s why we should go.”

“I’m busy this weekend, Marie. I told you that. Andrew wants me to help him with his basement tomorrow. And don’t we have to take Jimmy down to the Valley on Sunday?”

“Darn, I forgot about that.”

He hated the look on her face. Felt sorry for her as if he’d let her down. She’d been nattering about that dratted Art Gallery for weeks.

A lightbulb went off. “Marie, turn to Channel 10. There’s supposed to be some sort of art documentary on at nine o’clock.” He glanced at his watch. “It’s only eight fifty-two.” The last thing he wanted to do was watch an art documentary, but it was preferable to traipsing through a gallery in person.

He loved seeing her perk up. Felt vindicated.

“Yeah, okay. Might be good.” She switched the channel.

They waited…

And then it started.

He couldn’t fathom half of what the narrator was saying. All gobbly-gook to him. What the heck did any normal person know of the Renaissance period or the—

Marie jumped. “Look at that, Mel. That van Gogh. The colours are amazing.”

He peered at the screen. A blur of yellows and blues. He prayed his eyesight wasn’t going.

He glanced at his wife. “I see, Marie. Interesting.” He stared intently at the TV. As intently as she stared at the TV. Heck, they were in their living room—alone. Jimmy was upstairs (or was he at a friend’s?—he could never keep track of his son; thank goodness for Marie). Whatever, they were alone in the room. She should be fixated on him—Melvin. But, nope—it was all about this Van guy. Van Morrison? Hmm…

Then—

A flash on the screen: a woman.

His breath was sucked out of him. He froze…

“Who’s that, Marie?”

“Who’s who?”

“That woman. She’s gone now, though.”

“That woman who was in the painting a bit ago?”

“Yeah.”

“That’s Mona Lisa,” Marie said. “Perhaps the best-known painting of all time.”

“And what era would that one be in?”

“Mel, shh. If you’d listen to the narrator, you would know these answers.”

“Mona? That her name? Can you scroll back? You have us on TiVo, right?

“Oh, Mel, what in the world…”

He held his breath.

Yes! TiVo. She fiddled with the remote. And—voila! There she was!

“Stop!” He gasped. “Her name is Mona?”

“Yes, that’s Mona Lisa.”

“Lisa? Weird last name.”

“I think it’s probably her middle name.” She paused. “I wonder if she does have a last name. She’s only ever been known by Mona Lisa.”

He couldn’t answer. He was enthralled. It wasn’t her beauty, for was she that beautiful? No, it was the package: long dark hair, the smug smile as if she concealed some deep dark revelation—even her eyes seemed to say “I know what you did.” What did she know? Was she married with a lover, pulling a fast one over her husband?

“Melvin, what’s wrong?”

“Huh?”

“What’s wrong? You okay?”

“I’m fine, Marie.” He was fine. But, even though not in a gallery, not looking at the “real things”—though he definitely felt as if he were—he was in love.

“Can you buy reprints of these famous paintings, Marie? Reprints aren’t expensive, are they?”

“You mean prints?”

“Prints. Reprints. What’s the diff?”

Marie sighed. “Not much.”

“I think we should have one. What do you think?”

“Of Mona Lisa?”

“Mona, yes. Mona Lisa.”

“Melvin, we don’t need that in our house. No!”

Goodbye, Kailani, goodbye. “I think I’m in love,” he mumbled.

“What did you say, Mel?”

“Nothing, Marie. Nothing at all. Still think we should get a reprint, though…”

***

The Spot Writers—Our Members:

Val Muller: http://www.valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.ca/

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The Spot Writers – “Puppy Love at the Folk Art Museum” by Val Muller

Welcome to the Spot Writers. This month’s prompt is to write about falling in love in a museum. Today’s tale comes to us from Val Muller, author of the kidlit mystery series Corgi Capers.

“Puppy Love at the Folk Art Museum”

Val Muller

It had been a year since his father died, yet Melvin still felt lost. From the outside, things were the same, but to him, life felt like a shell only. If something funny happened at work, he still thought about calling his dad on the way home. Dad was always one for—well, Dad jokes, stupid puns, and goofy misunderstandings. But as quickly as the instinct hit, so did the remembrance.

There was no one to call on the way home. It was almost like Dad’s absence made all the humorous anecdotes lose all meaning. He found himself on this cloudy Saturday heading to the Apple Valley Folk Art Museum, a favorite of Dad’s. He had gone many times with his father, and lately he hadn’t been able to get the museum out of his mind.

*

The museum was folk art, naïve art, just the kind James had loved and painted. Rose could barely believe he was gone—from breathing to buried in a matter of weeks. The whirlwind of death and paperwork and funeral and well wishes had settled, and now things were too quiet.

Well, except for Beamer.

Beamer was not quiet. James’s service dog, Beamer made his presence known through soft but insistent communication. James had a zillion tasks for the service animal. Rose had none, and the dog was languishing under her care.

“Care.”

She was just as much a dog person as the artistic James had been an accountant. It’s true that opposites attract, but it’s not true that your opposite wants to take care of your emotional support dog after you die. If only she could find someone to take the dog.

*

Melvin found the painting, the one his father loved. It was a folk art piece depicting an unidentifiable planet—it wasn’t Earth, since Earth was visible far away in the space backdrop—and dandelion seeds were floating in the air.

Dad loved the painting because of the irony. The nuisance plant on Earth was thriving on the planet, and the painting implied that the seeds were helping to terraform it. Folk art and sci-fi, a mix Dad chuckled at.

There was something hopeful about the idea of continuing on. Life after Earth. That sort of thing. Mel stared at the painting and sighed. Despite the familiar and hopeful message, Mel felt no closer to closure than he had for the past year.

Behind him, something whimpered softly. It was an older woman and a dog—the dog wore a bright vest labeled “service animal.”

“Oh, pardon us,” she said.

Mel looked from the woman to the painting, then back to the dog. “Oh, I’m soryr,” he said. “Were you waiting for a turn at this painting?”

The woman dismissed the idea with the wave of her hand. “Yes, but you looked so lost in thought, we wanted you to take your time.”

“We?”

The woman laughed sadly. “Me and—well, I guess me and the dog. I’m Rose. This is Beamer.”

“Beamer,” Mel said. “Like the car.”

Rose laughed. “That’s exactly the joke. James used to tell people he always travels with his Beamer.”

“A dad joke.” Mel smile-frowned. “My dad would’ve loved it.”

Rose’s eyes understood immediately. “I’m sorry—when?”

“He loved this painting.”

Beamer whimpered and pulled toward Mel.

“Sorry.” Rose pulled back, but Mel reached out and pet the pup. “I know it says he’s a service dog, but James stretched that certification as far as it would go. He wanted to bring this dog everywhere. Now—”

But she stopped short. Here, in front of her husband’s painting, this young man was gazing into Beamer’s eyes as lovingly as only one man had done before.

“Hey,” Rose said. “There’s this nice little coffee shop down the street. Why don’t we—”

And they did.  

***

The Spot Writers—Our Members: 

Val Muller: http://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.com/

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