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The Spot Writers – “Rear View Mirror” by Val Muller

Welcome to the Spot Writers. This month’s topic is: something nice and unexpected happens on a gloomy day.

This week’s post is by Val Muller, author of the coming of age novel The Girl Who Flew Away. Surrounded by high school students all day, many of her works revolve around the lives of teenagers finding their place in a less-than-ideal world.


Rear View Mirror by Val Muller

“Are you serious?” Ms. Martel asked. She leaned back in the creaky chair, arms crossed, staring straight ahead at the principal.

“Quite,” said Principal Hutt.

“You want me to eat with these kids? The thirty minutes of the day I have free, and you want me to spend it with my four discipline problems?”

The principal nodded. “You know we’re all about creative solutions here at Echo Academy, Ms. Martel. ‘Discipline problems’ are really just young people reaching out for help.”

“Texting while in class and blowing off assignments is not reaching out for help. It’s just ignoring their responsi—”

But Principal Hutt had already turned away, working on his next email.

“I’ll expect to see you in the dining hall this afternoon, Ms. Martel. And I’m sure your students will find it something to look forward to as well.”


The cafeteria—dining hall, rather—smelled like teenagers and toddler food. It was a miasma of chicken nuggets, wilted vegetables, and teenage angst. And there in the center of it were her four nightmares, the ones who made Ms. Martel dread coming to work each day.

Tommy Sutherfeld, Elayna Cunningham, Marko Jacobs, and Lilliyanna Roth. They sat there like protagonists in The Breakfast Club, unaware of the gravity of their behavior issues. Did they realize they spoiled every Third Block Literature class? Did they realize they were like black holes, sucking out the ambitions and concentration of all other students in the room? Did they get up in the morning wondering how disruptive they could be, or were they simply that uncaring that they didn’t realize how much of an impact they had?

And now, with her paper bag lunch, Ms. Miriam Martel was tasked with the terrible job of—what? Babysitting them? It wasn’t that. Principal Hutt had said something far worse. She had to reach them.

Tommy smiled and raised an eyebrow. “‘Sup, Ms. Martel? The Hutt told us you’d be here today.”

Tommy scooted over to make room for her.

“Hi,” she said.

“We didn’t mean to get you in trouble,” Lilli said.


Elayna looked down at her lap. “We didn’t mean to have the Hutt force you to eat with us. That is, like, the worst.”

“Oh.” Ms. Martel opened her lunch bag, pulling out a peanut butter and jelly sandwich.

“Is that really what you eat for lunch?” Tommy asked. “Or did you bring that because you knew you’d be eating with us?”

“I didn’t find out until this morning,” she said. “Principal Hutt called me in before school.”

“I stopped eating PB and J in like fifth grade,” Tommy said. “Why do you eat that?”

Ms. Martel shrugged. “It’s fast. It’s cheap.” She eyed their lunches. Two of them had footlongs from Subway. Two were sharing half a pizza, probably leftover from last night’s dinner. She fought the threat of a flushing face. “I’m saving to replace my car, or at least fix it,” she said.

“What’s wrong with it?” Marko asked.

“Starter, I think. I don’t know. Sometimes it just stalls.”

“Alternator, maybe,” Marko said. He was always talking about cars. And researching cars. On his phone. During class discussions. During classroom observations with Principal Hutt.

“Well…” Ms. Martel forced a smile and unwrapped her sandwich, taking a bite.

“If you’re going to be eating with us all week, like the Hutt says, we can get you Subway,” Lilli offered. “I mean, it must suck to be stuck with us. You probably have teacher things you like to be doing during lunch. My parents say I’m dragging them down all the time. And now I’m dragging you down, too.”

Ms. Martel shook her head. “That’s nice of you, but I’m okay—I mean, peanut butter is relatively healthy…”

“I haven’t even started my Macbeth project,” Tommy blurted. “I just wanted you to know. I haven’t turned it in because I’m just a complete slacker. There’s no excuse. If I turn it in, will you be able to eat with the teachers again?”

Ms. Martel inhaled, stalling for time to think of a response.

But Tommy continued. “It’s not that I don’t care, it’s just that I’m the worst. My parents pay all this money to send me here, and I just can’t force myself to care. No offense, Ms. Martel, but learning about witches and ghosts or whatever, written in Old English, just isn’t my top priority.” He sighed. “Besides, I wouldn’t want to fail my parents’ expectations. You know, being a failure.”

“I—” How was she supposed to reach these kids?

“See, grades just don’t matter,” Tommy continued. “Not everyone gets As in high school, and some people who get As turn out to be real—” He stopped himself. “I know, think of a smarter word,” he said. “See, I do listen to you in class sometimes, Ms. Martel. My point is, didn’t, like, Steve Jobs fail out? Or Bill Gates? The system just can’t hold some of us. It’s like a prison. You have to break out of the system. I promise I’ll do big things one day.”

“We’re gonna open up a garage,” Marko said. “Refurbish old cars. You know, like old punch-buggies and Mustangs and all that.”

“A boutique garage,” Lilli said. “I’ll be their marketer. We’ll appeal to nostalgia.”

“That’s another vocab word you taught us,” Tommy said. “Nostalgia.” He patted her on the shoulder and rubbed against her jacket, tugging it a bit. Ms. Martel scooted over. Principal Hutt wanted her to get close, but this was too much. She didn’t want to actually touch them.

She left lunch with two bites taken out of her sandwich, a stomach ache, and an impending headache. At the end of the day, Principal Hutt called for her to stop by on her way out.

“Looks like you’ll have to eat with them again tomorrow,” he said.

“Why?” Ms. Martel asked.

The principal pulled up an attendance report. “The four of them skipped the rest of the afternoon classes.” He shook his head. “I wanted you to reach them, not make them worse.”

“Look, I—” But Ms. Martel stopped herself. There was no point trying to explain things to Principal Hutt, who wasn’t even in a classroom more than a few minutes each day. “Okay,” she said. “Tomorrow, then.”

She walked to the parking lot and reached into her pocket for the key.


She never took her key out of her pocket. When would she have possibly—

“Son of a—” She spoke aloud.

“Think of a smarter word, Ms. Martel,” said Tommy, behind her.

She spun around to see him smugly twirling her keyring around his finger.

“You little—”

He held his hand to stop her, and he pointed to the visitor parking spots. There was Marko, leaning against her car. Lilli and Elayna were there, slurping smoothies from the place down the street.

“You stole my—”

“Fixed, not stole,” Tommy said. He handed her the keys. “Though we did take it for a test drive to make sure it worked.”

“We left you a berry smoothie in the cup holder,” Elayna said.

Marko smiled. “We cut class and took your car to the autoshop. Our mechanics teacher always lets us bring in our cars to work on them. You have a Honda. Super easy to find parts for. We found you a new alternator. It works good as new now.”

Tommy tossed her keys in the air, and she caught them. “Maybe at lunch tomorrow you’ll bring something better than PB and J, huh, Ms. Marko?”

She smiled as she got in her car and listened to it start up right the first time.

“Maybe I will,” she said and watched them smile at her in the rearview mirror as she drove away.


The Spot Writers—Our Members:

Val Muller: http://www.valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.com/


C.A. MacKenzie is the author of (among other books) the novel WOLVES DON’T KNOCK, a psychological drama/thriller, available from the author or at various retailers including Amazon [https://www.amazon.com/Wolves-Dont-Knock-C-MacKenzie/dp/1927529387/].

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Writer Wednesdays – Suzanne Seddon

Today, Writing Wicket interviews Suzanne Seddon, author of A Fool’s Circle.

book pic 3

I asked Suzanne:

Q. Have you ever cried with one of your main characters?

Yes. I cried for Kate and Sophie. Mainly because I could understand and relate to both characters. The book is a hard read. But it was really hard for me to write.

Q.  Do you believe in writers block?

I knew where this book was going. In fact, the characters more or less led me through the whole book. So, I never experienced any writers block although there were moments I had to shut down my laptop and take a break for a few days.

Q. What genre do you favour?

I definitely favour crime fiction and thrillers. although I’m quite partial to the odd autobiography.

Q. What is your favourite childhood book?

My favourite childhood book was definitely The Famous Five by Enid Blyton. I had them all. My favourite character was Timmy the dog.

Q. What is the most difficult part of your artistic process?

Having so many ideas swimming around in my brain and trying to get them down on paper as fast as I can. Not being able to switch off is also hard. Sometimes I have woken up in the night with an idea and had to get up and grab a pen and paper.

Q. Does writing energize or exhaust you?

I think it’s a bit of both, to be honest. The thought process seems to exhaust me. But once I have a chapter finished, I feel totally energized and ready to start over again.

Q. What is your writing Kryptonite?

I’m a bit of a perfectionist and worry that my scenes are making perfect sense to the reader. So, I tend to go over them more times than I should. I’m also not a lover of writing sex scenes and let my friends read them first to get their opinions, which have been very good. They all agree I have a very vivid imagination.

Q. Did you ever consider writing under a pseudonym?

I wanted this book to raise awareness about Domestic Violence and Mental Abuse, so I didn’t even contemplate writing under a pseudonym.

Q. Do you think someone can be a writer if they don’t feel emotions strongly?

That all depends what the subject matter is they are writing about.

Q. If you could be any author, who would it be and why?

Charles Dickens, for sure. I would love to get inside his head. I love the way he developed his characters. I get transported to a different time and really enjoy the journey.

Q. What was the first book that made you cry?

That was definitely the Lassie books, about a border collie, by Eric Knight. They made me smile and cry at the same time. But recently, I read Harry Potter and the Deathly Hallows and found myself in floods of tears when Dobby died. I had to pull myself together before my daughter returned from school.

Q. What are common traps for aspiring writers?

I think a common trap for aspiring authors is that they worry if their work is going to be good enough or interesting enough. They also worry that it has all been said before. It probably has. But just not been told by you.


Check out Suzanne’s links:


https://bit.ly/2VJt5C1 (Goodreads)

https://amzn.to/2TJa54E ( Amazon)

https://bit.ly/2FwUO3M  ( Barnes&Noble)




C.A. MacKenzie is the author of the novel WOLVES DON’T KNOCK, a psychological drama/thriller, available from the author or at various retailers, including Amazon at https://www.amazon.com/Wolves-Dont-Knock-C-MacKenzie/dp/1927529387/.

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The Spot Writers – “Winterlude” by Phil Yeats


Welcome to The Spot Writers. In honour of these mid-winter postings, this prompt is a story that incorporates the words “will winter ever end.”

Today’s post comes from Phil Yeats. Last week, Phil (using his Alan Kemister pen name) published his most recent novel. Tilting at Windmills, the second in the Barrettsport Mysteries series of soft-boiled police detective stories set in an imaginary Nova Scotia coastal community is available on Amazon.



Winterlude by Phil Yeats


He stood in his living room window watching water drip from the eaves. She stole up behind and wrapped her arms around his waist.

She sighed. “Back home, people will ask ‘will winter ever end?’ Me, I’m saying ‘why can’t it last forever?’.”

He twisted around until he faced her. “I’m a farmer. If winter doesn’t turn into spring, I can’t plant my crops. You can return to your urban home once the snow melts and roads become passable, but I’ll be here a year from now. If this year’s crop fails, I’ll have nothing to eat.”

“If I stayed, and helped you plant, nourish and harvest your crop, I could stand here gazing out this window as the snow melts a year from now. I’d be so happy.”

“And mind the horse you’ve fallen in love with. Don’t forget her.”

“I’ll never forget Buttercup. If anyone suggested I would spend a winter living in an isolated farmhouse with no electricity, riding a horse and milking cows, I wouldn’t believe them. Now, I’d like to live here forever.”

“But my fair-haired young friend, it isn’t to be, is it?”

“No. I must return.”

He strode to the kitchen and pumped water into the kettle. “Should you explain?”

“Five years ago, I was an art school student. With three friends, I created a dot.com company that generated and marketed computer art. It’s done well and now makes me more money than my real art because I’ve devoted myself to keeping the company going.”

“The others have shirked their responsibilities?”

“Mostly my fault. I was good at it, especially the marketing stuff. I took charge, and it became harder for them to contribute.”

“What happened?”

“We decided I would take a two-month painting break and they would manage.”

“I see. Your-two-month long hiatus extended to four, and probably another one before the track’s passable. Why aren’t they searching for you?”

“I contacted my colleagues after we rode to town in December when the weather improved. I also checked in with the lady at the little police detachment.” She paused, taking the cup of tea he offered. “You remember, my one trip to civilization.”

“How can I forget! You could barely walk when we arrived, and I wondered if you’d survive the ride back.”

“Yeah, it was hard. I’d ridden a lot as a teen, and took Buttercup out several times before our big trip, but it was much harder than I expected.”

He strolled to her easel and gazed at the portrait she was painting. It caught him standing in the window staring across the snow-covered landscape while holding a steaming coffee cup. “What did you imagine I was considering? The upcoming planting season or the mysterious siren who landed on my doorstep.”

“Nothing mysterious about me. An early winter storm hijacked my painting trip. And I can’t sing worth a damn. I’d make a terrible siren.”

He laughed. “Singing may not be your forte, but you’ve been adept at the luring part of the siren myth. But you haven’t answered my question.”

“I hope you were thinking about me, considering my coming departure and when I’ll be back.”

“Perhaps I was.”

“And will you welcome me?”

He pointed at the unfinished portrait. “Does he look like he’s planning to rebuff you?”


The Spot Writers—Our Members:

Val Muller: http://www.valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.com/


C.A. MacKenzie is the author of the novel WOLVES DON’T KNOCK, a psychological drama/thriller, available from the author or at various retailers, including Amazon at https://www.amazon.com/Wolves-Dont-Knock-C-MacKenzie/dp/1927529387/.


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